You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
You used to hide in somewhere
2 channel video (B&W. colour. mute. loop. 1’27. 1’42), Rubik's Cube, delete keys, pencil on pedestal
Dimensions variable
2018
This work is a self-exploratory project, a journey in search of a forgotten memory. The so-called "forgotten memory", is a non-existed existence, a gap in a timeline. I work with two tunnels showcase two states of mind chasing back to a memory. Also inspired by the film "Eternal sunshine of the spotless mind", I tried to think from the perspective of the protagonist Joel, who erased his ex-girlfriend by undergoing a medical procedure, part of his monologue is written on the pedestal.
2018
2018
2018
Cheung Yee Kwan, Sonia
Cheung Yee Kwan graduated from The Academy of Visual Arts at Hong Kong Baptist University. Using moving images and installation as her mediums, she often walks adrift in the city and finds herself attracted to the subtleties of mundane motion and inconspicuous objects which translate for her into a psychological experience. Her works explore themes of isolation, memory, and the destruction that always accompanies transformation. She represents these themes through methods of communication and in the nexus between humans and city space. Her works have been exhibited in Hong Kong, USA and Japan.
張綺君畢業於香港浸會大學視覺藝術院。她的創作以影像及裝置為主要媒介。她常於城市裏漫無目的地行走時，被平凡慣性的動作及不起眼的事物所吸引，並代入成為自身的想像。張氏透過念感悟城市空間與人之間的聯繫以及不同物質的交流方式，再轉化成探索孤立、記憶和破壞等的概念。作品曾於香港、美國及日本展出。
1992年香港出身。香港と福岡を拠点に活動を行う。2016年、香港浸会大学視覚芸術院 (Academy of Visual Arts, Hong Kong Baptist University)卒業。映像とインスタレーションを媒体に、しばしば街を漂うように歩き、ありふれた動きや目立たない物体の繊細さに注視しそれらを心理的な体験へと変換させる。人間と都市空間の間のコミュニケーションや繋がりを通じて、孤立・記憶・変容に伴う破壊をテーマに制作を行う。
Born in 1992, Hong Kong
Lives and works in Hong Kong and Fukuoka
Education
2014 - 16 Bachelor Of Arts (Hons) In Visual Arts, Hong Kong Baptist University
2011 - 13 Associate of Arts - specialization in Visual Arts
Hong Kong Baptist University College of International Education
Solo Exhibition
2022 The place we know shall not exist, Artas Gallery, Fukuoka, Japan
Participated Exhibitions
2022 Nice to meet you!, PMQ, Hong Kong
2021 NEWGRAPHY Fukuoka Art Book Expo 2021, Fukuoka Art Museum, Japan
Beyond Animals, 7 Mallory Street, Hong Kong
Reality 28, Beppu Station Market, Japan
2020 Trolls in the park 2020, Tokyo, Japan
Why, (k)not? Kyushu Fragments vol.1, art space tetra, Fukuoka, Japan
2018 The Blank Character, Academy of Visual Arts, Hong Kong Baptist University, Hong Kong
The Aerial Actor, Art Omi, New York, USA
The Aerial Actor Sharing in Hong Kong, Videotage, Hong Kong
Down on the Ground Above the Sky, Academy of Visual Arts, Hong Kong Baptist University, Hong Kong
2017 “TURN ON !” A Moving Image Exhibition, am space, Hong Kong
2016 Imagined Lives Exhibition: Responses to the HKBU Library Chinese Propaganda Posters Collection,
Koo Ming Kown Exhibition Gallery, Hong Kong Baptist University, Hong Kong
HKBU AVA BA Graduation Exhibition 2016, Academy of Visual Arts, Hong Kong Baptist University
Award
2016 The Keepers Collection of HKBU Library, Hong Kong
AVA Keeper of Studies Collection Award, Academy of Visual Arts, HKBU, Hong Kong
Honourable mention of Vitamin D Award, HKBU AVA BA Graduation Show 2016 , Hong Kong
Artist In Residence
2022 Hagi Cultural Property Art Migratory, Yamaguchi, Japan
Artist Talk and Workshop
2020 Speaker, Artist’s Talk, Why, (k)not? Kyushu Fragments vol.1, art space tetra, Fukuoka, Japan
2018 Participating artist, The Aerial Actor Drone Workshop, Wave Farm, New York , USA
Grants
Arts Development Fund
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